Stateless Subjects: Chinese Martial Arts Literature and Postcolonial History

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Current scholarship on the subject is characterized by three central assumptions against which this book argues: first, that martial arts fiction is the representation of a bodily spectacle that historically originated in Hong Kong cinema; second, that the genre came into being as an escapist fantasy that provided psychological comfort to people during the height of imperialism; and third, that martial arts fiction reflects a patriotic attitude that celebrates the greatness of Chinese culture, which in turn is variously described as the China-complex, colonial modernity, essentialized identity, diasporic consciousness, anxieties about globalization, or other psychological and ideological difficulties experienced by the Chinese people.

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Liu works deftly with popular fiction, modern Chinese history, critical and social theory, and contemporary narrative theory, to build a complex and compelling analysis of the oblique way that gay sexuality becomes crucial to the articulation of the nation. See All Customer Reviews. Shop Books.

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USD Sign in to Purchase Instantly. Overview Known in the West primarily through poorly subtitled films, Chinese martial arts fiction is one of the most iconic and yet the most understudied form of modern sinophone creativity. Average Review. Write a Review. Related Searches. Adaptation and Cultural Appropriation: Literature, Film, and the.

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Adaptation has always been a standard View Product. ISBN In an age when martial arts mov- ies such as Crouching Tiger, Hid- den Dragon have become a global phenomenon, Petrus Liu's Stateless Subjects: Chinese Martial Arts Litera- ture and Postcolonial History shows how this recent martial arts craze has deep historical roots and many literary predecessors.

Writing against assumptions that martial arts novels are either apolitical escapist fantasies or hyper-politicized national allego- ries, Liu argues that the genre has not only always been political but that it portrays a radical poetics with far-reaching significance, beyond the nation-state. Liu goes on to argue that in Pingjiang's artful use of classical language and literary form the very aesthetics the May Fourth intellectu- als deemed anti-modern to critique modernist politics, Pingjiang deliv- ers a non-linear semiotics of martial arts fiction that challenges the May Fourth teleology of nationalist liter- ary progression.

In discussing the emergence of "new school martial art novels" in Hong Kong and Taiwan during the Cold War-era, Liu juxtapos- es his readings of Jin Yong's. Other Affiliations:.

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Cambridge: Harvard University Press, May Save to Library. Chinese Language and Culture and Queer Literature.

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What is the relationship between the "liberal" in "liberal arts" and the "liberal" in "neoliberalism"? A joint venture between Yale University and the National University of Singapore, the recently established Yale-NUS college of liberal arts in Singapore marks a shift in the role of educational institutions and in the legacy of Singapore's earlier discourse of "Asian values. Queer Marxism in Two Chinas more. Publication Date: Book Reviews.

Stateless Subjects Chinese Martial Arts Literature and Postcolonial History Cornell East Asia Series